The Potter nylon string is my favourite guitar. Designed from the ground up towards the end of my masters degree the intention was to create an instrument for fingerstyle folk and blues players that would combine the tone and clarity of a top classical guitar with the playing characteristics, projection and bass response of a large steel-strung guitar.
Unlike most guitars the cutaway was built into the design from the first draft, using an enlarged lower bout to compensate acoustically. The resulting large lower soundboard is managed by a bracing system informed by tried and tested classical guitar fan bracing patterns but incorporating elements of twenty-first century jumbo and dreadnaught X-bracing. The unique D bridge was designed to complement this system.
The resulting sound is a well-balanced and warm with strong low notes, clear, bright trebles and good projection.
Scale length 640mm, 14th fret body join.
Model shown English walnut with holly trim. Prices from £1975
I never really intended the Nylon concert design to make a steel strung guitar. Unfortunately it became a consistent request from guitarists when they tried out the nylon model above. ‘Wow, this is a great guitar; would you make a steel strung version?’ Eventually I gave in and reluctantly went back to the drawing board some years after drafting the nylon. I have tried to keep most of the features of the concert that guitarists responded so well to; the shape is unchanged, I kept the basic neck dimensions and decided to keep the pinless bridge design. I went through a few bracing layout/bridge design combinations before I got something I was happy with, but I am still tweaking the design here and there.
Early feedback from players has been very positive. There may be something in this unexpected instrument!
Instrument shown made in Californian walnut with custom inlay work.
The Potter Session was designed to get the maximum possible volume and projection from the smallest possible full sized guitar. The idea was to build an instrument that it would be easy to carry to a session or jam, or out and about that people would definitely hear you playing.
I currently make one or two of these a year and I’m still refining the design from one to the next, but when I’ve put the prototype in the hands of professional musicians the feedback has been overwhelmingly positive.
A compact 628mm scale and a 12th fret join steel strung guitar, with a comfortably proportioned chord playing neck and a powerful and distinctive tone complete a very player-friendly package.
Main guitar pictured made with walnut back and sides, maple neck and Laburnum fretboard all grown in the New Forest national park. Second instrument made with Queensland silky oak back and sides.
Prices from £1675
Based on instruments made by several American manufacturers in the early 20th century the piccolo is a very genuine guitar, albeit a small one! It is designed to take normal light gauge guitar strings and is tuned to a pitch five steps above a full size guitar.
Although it is a similar size as a larger tenor ukulele the piccolo is built for steel strings, with modern X bracing and an adjustable truss rod it generates a good amount of volume and a surprisingly rich tone.
Model shown made from recycled mahogany and recycled Indian rosewood, with optional pyramid bridge.
Prices from £1250
I can also make guitars to a wide range of traditional and historic designs, with the European romantic period and the American guitars of the late 19th century being particular favourites.